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Mokey
Mokey offers an essential toolset for removing wires, rigs, logos, scratches, hairs and other undesired elements in commercial, film and corporate video post production work. Based on Imagineer's unique 2.5D planar tracking and background reconstruction technology it seamlessly removes elements and provides an excellent alternative to the painstaking, manual process of painting or cloning. In addition the toolset contains a powerful and easy-to-use stabilizer, lens distortion correction, noise reduction, grain management and keying tools. As a standalone solution it can complement existing post production pipelines and significantly increase productivity, whether in an editing, compositing, film restoration or DI environment.
Why Mokey?
If you regularly work on projects requiring removal of wires, rigs, logos, faces, lens flares, scratches, hair-in-gate, warped frames, lens distortion and so on then
- Mokey offers you the ability to improve productivity on traditionally very labour intensive work.
- Mokey allows you to save shots that otherwise could not have been saved within the budget constraints of the client.
- Mokey complements your existing investment in post production hardware/software by being compatible with most other packages, such as Autodesk Discreet, Avid DS, Adobe After Effects, Quantel generationQ, Apple Shake and other compositing and editing systems.
How does mokey fit into my facility?
Mokey is a product that complements your main editing, compositing, DI and film restoration systems. It offers a very advanced toolset that provides you with an alternative approach to solving an array of problems that usually would be more time consuming and more difficult to achieve accurately in other packages.
Monet
Monet is a unique tracking and compositing toolset for commercial, film and corporate video post production work. Based on Imagineer's unique 2.5D planar tracking and shadow/highlight extraction technology it offers a cost effective, standalone solution for performing virtual product placement and complements traditional post production pipelines by delivering the highest quality 2D tracking data and graphical elements for finishing in other compositing and editing systems. monet allows more complex work to be done in a desktop environment giving you a tangible competitive advantage at a time when budgets are shrinking and client's expectations growing.
Why monet?
Tracking, stabilisation, rotoscoping and compositing are a fundamental part of visual effects work. On average visual effects projects, Monet will result in a 5% increase in profits by enabling you to deliver on more complex shots whilst producing higher quality in the same or less time on every shot, reducing the risk of not delivering on clients expectations. Monet complements your existing investment in post production hardware/software by being compatible with most other packages, such as Autodesk Discreet, Avid DS, Adobe After Effects, eyeon Fusion 5, Quantel generationQ, Apple Shake and other compositing and editing systems.
Motor
Motor is a unique rotoscoping tool for commercial, film and corporate video post production work. Its intuitive, easy-to-learn user interface combined with Imagineer's unique 2.5D planar tracking technology offers a way of creating high quality mattes 3-4 times faster than using traditional tools. The toolset includes everything from basic shape operations to variable edge width and motion blur and has been proven on high volume projects. Mattes can be exported as image sequences or shapes in a variety of formats, and Motor therefore complements all existing post production pipelines very elegantly.
Why Motor?
motor is a dedicated rotoscope tool which uses our unique Planar Tracker to help position, rotate, scale, shear and perspective-shift roto-splines. It has several spline tools designed specifically with the rotoscope artist in mind and the entire interface is dedicated to fast rotoscoping.
"When our visual effects designers at BFX Imageworks first tested motor, it was a mind-blowing experience. Projects that were taking days to complete were now turning around in hours. As a rotoscoping tool, motor stands alone with its planar tracker that literally blows all other ‘point’ trackers out of the water. It not only tracks X & Y motion, it also tracks perspective, and it does so on entire regions of the frame, without having to isolate individual tracking points. And considering it's tracking regions and not points, we were amazed at how fast it is. We’re convinced that motor will completely pay for itself with the first project you use it on. It is an invaluable tool for our studio and we could not give it a higher recommendation!” Steven Blasini, visual effects supervisor at BFX Imageworks in Los Angeles.
Mocha - Tracking Station
Mocha is a stand alone 2D tracking tool packed with features that make the effects compositors life easier. Now compositors can avoid the guess work and inaccuracies that result from hand tracking challenging shots, speeding up the process of generating solid 4-point tracks, giving position, scale, rotation, shear and perspective matched tracks and exporting the data to the industry’s most well known compositing and finishing packages such as Inferno, Flame, Flint, Smoke, Combustion, Avid|DS, Quantel generationQ, After Effects, Shake and Digital Fusion. We are proud to introduce mocha; a standalone tracking tool based on Imagineer’s unique 2.5 D planar tracking system. Designed as a cost-effective tracking solution with a variety of features mocha affords you the ability to generate solid 2D tracks, even on the most difficult shots, while saving both time and money.
Why Mocha?
Mocha is a stand alone 2D tracking tool packed with features that make the life of the effects compositing artist easier and less stressful. Now compositors can avoid the guess work and inaccuracies that result from painstaking and time consuming difficult hand tracking shots. The process of generating solid 4-point tracks, giving position, scale, rotation, shear and perspective matched tracks is sped up thanks to the next generation tracking. Once the track is complete, mocha is designed to export the data to the industry’s most well known compositing and finishing packages such as Inferno, Flame, Flint, Smoke, Combustion, Avid DS, Quantel generationQ, After Effects, Shake and Digital Fusion. This gives the artist the freedom to finish their shots in the compositing application they feel most comfortable with.
Mocha allows tracking to be completed in less time and with higher accuracy, giving you the ability to bid for jobs at a time and rate that creates an advantage for you over your competitors!
Mocha is the ‘big brother’ of motor; it contains all motor’s rotoscoping tools.
Mocha - for After Effects
Mocha for After Effects is custom designed and priced for the After Effects community, this stand alone 2D tracking tool packed with features that make the effects compositors life easier. Now compositors can avoid the guess work and inaccuracies that result from hand tracking challenging shots, speeding up the process of generating solid 4-point tracks, giving position, scale, rotation, shear and perspective matched tracks and exporting the data to Adobe After Effects. Version 5,6,7 and CS3.
We are proud to introduce mocha for After Effects; a standalone tracking tool based on Imagineer’s unique 2.5 D planar tracking system. Designed as a cost-effective tracking solution for the After Effects community, mocha for After Effects affords you the ability to generate solid 2D tracks, even on the most difficult shots, while saving both time and money.
Why Mocha - for After Effects?
Mocha for After Effects is custom designed and priced for the After Effects community, this stand alone 2D tracking tool packed with features that make the effects compositors life easier. Now compositors can avoid the guess work and inaccuracies that result from hand tracking challenging shots, speeding up the process of generating solid 4-point tracks, giving position, scale, rotation, shear and perspective matched tracks and exporting the data to Adobe After Effects. Version 5,6,7 and CS3.
Based on Imagineers unique 2.5D Planar Tracking technology, mocha for After Effects helps solve problematic shots that traditionally break point based trackers, such as footage with objects moving out of frame, lack of detail, motion blur and heavy grain. mocha for After Effects’s innovative AdjustTrack tool helps remove drift and enables the compositor to extract offset tracking data for areas that go off screen.
Mocha for After Effects allows tracking to be completed in less time, with higher accuracy, giving you an unfair advantage versus your competitors! |
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