The Very Finest Capture Cards for Uncompressed SD, HD, 2K & Dual Link HD on OS X

KONA cards are the finest uncompressed QuickTime I/O cards available anywhere. AJA KONA cards were the first capture cards available for Final Cut Pro on Mac OS X - and that innovation and quality have continued to this day. A powerful Mac Pro or G5 desktop PCIe or PCI/PCI-X system, Apple's Final Cut Studio 2™ and a KONA card bring you all the quality and function of a full-featured nonlinear editing suite at a fraction of the price. Clarity in sight and sound with uncompromising performance and reliability - that's the promise of KONA.

It's in the Hardware...

KONA cards offer unprecedented hardware processing power, offering realtime features only found on the highest-end video systems. Depending on what KONA you choose, you will have superior hardware-based up-/down-/crossconversion, HDV and DVCPROHD acceleration and maximum overall performance, speed and stability - critical advantages in a production environment. Work in SD, HD and even 2K. There are no limits to what KONA hardware offers.

...And It's in the Software

The KONA family of cards also offers incredible software inside: custom QuickTime drivers optimized for AJA's hardware, written and supported by AJA. Our KONA software offers unprecedented features, control and usability - targeted for video professionals by video engineers. Additionally, the powerful and intuitive KONA Control Panel simplifies control of KONA's advanced abilities and even supports stand-alone modes.

Meet KONA 3, the Heavyweight Champion Capture Card for Uncompressed SD, HD, 2K & Dual Link HD on OS X

Visualize uncompressed video, 8-channel AES and embedded 16-channel audio, up/cross/down HD/SD format conversion, hardware downstream keyer and HD/SD component analog output — all your's on a state-of-the-art 4-lane PCIe card (KONA 3) or PCI-X card (KONA 3X). Intrigued? Like other members of the KONA family, KONA 3 is designed for no-holds-barred design and editing — with support for Apple Final Cut Studio 2 and Apple's ProRes 422 and ProRes 422 HQ — plus hardware acceleration for the DVCPROHD and HDV codecs, and Dynamic RT Extreme effects in Final Cut Pro 6. It’s a knockout — KONA 3 — the new standard-bearer for quality, flexibility and future-safe architecture in a QuickTime I/O card.

KONA 3 is the ultimate uncompressed capture card for seamless operation with PCI Express (PCIe) Apple Mac Pro (and PCIe G5s) and Apple Final Cut Pro. Supporting any uncompressed SD or HD format, including Dual Link and 2K, KONA 3 captures and plays back uncompressed 10-bit and 8-bit digital video and 24-bit digital audio, providing unparalleled power and workflow efficiency. KONA 3 also includes a variety of 10-bit broadcast-quality features, such as hardware-based up-, down- and crossconversion to and from HD, and adds a live hardware HD/SD keyer for compositing bugs, live clips and other elements over video.

Dual Link

KONA 3 supports Dual Link 4:4:4 HD-SDI, a new technology on the Macintosh platform. Commonly known as Sony HDCAM SR or Thompson Viper Format, KONA 3 Dual Link supports full bandwidth 4:4:4 RGB at 10-bits (12-bit capable) for 1080i, 1080p and 720p formats. KONA 3 can also convert between 4:4:4 and 4:2:2 formats for Single Link HD-SDI output.

2K Workflow

The KONA 3 2K path offers significant cost and labor savings over a tape-based approach to 2K. In a unique development for customers on the Macintosh platform, you can go straight from telecine to disk with 2K media and eliminate the steps of using tape stock and then digitizing those tapes for the nonlinear editor. The added 2K support in KONA 3 v2 will benefit large, full-service facilities as well as boutique facilities entering the 2K “film as digital” landscape.

2K telecine to KONA 3 saves time and steps in the process by directly and simultaneously creating 2K DPX files and 2K QuickTime™ reference movies. Material can be played out at 2K via HSDL (High Speed Data Link), offering further synergy with other 2K products available and already in use.

Additionally, KONA 3 v2 allows 2K files to be viewed on HD 1080 24P-supported video monitors, lowering the price barrier for recording to tape and viewing 2K material. This 1080 HD playout can also be downconverted to SD in real time, giving the 2K DI pipeline a powerful solution for multiformat video playout of 2K material.

By generating 2K DPX files during the digitize phase, different parts of the process (delivery of full-resolution media for shots intended for visual effects, for example) can be done much earlier. Offline editing can be done in Final Cut Pro and, because of the flexibility of Final Cut Pro and QuickTime, even a 2K online is possible.

Broadcast-Quality Conversion

KONA 3 features full 10-bit, broadcast-quality, motion-adaptive SD to HD upconversion, HD to HD crossconversion, HD to SD downconversion and automatic HD/SD 12-bit component analog output. That’s the equivalent of rolling AJA’s stand-alone HD D/A converter, our HD to SD downconverter and our SD to HD upconverter into one convenient, cost-efficient KONA 3 board — at half the price! The quality is identical to AJA’s award-winning stand-alone products, and all functionality is hardware-based, making it available full time, all the time, on digitize or playback. KONA 3 will address users’ needs with support for hardware-based 1080-to-720 or 720-to-1080 crossconversion. This desirable feature further streamlines dailies and deliverables creation at true broadcast-picture quality in real time.

Internal HD/SD Live Hardware Keyer

Available for the first time on any QuickTime capture card is a powerful hardware keyer that can place graphic files with an alpha channel over video input, a selectable matte or the contents of the card’s framebuffer (KONA TV/Final Cut Pro). Even more than that, you can also key video that has an alpha channel over video input or a matte. For example, you can load a QuickTime clip with an alpha-channel — a flying logo perhaps — into KONA TV, then place it over live video coming into the card.

Audio

KONA 3’s extensive audio support makes installation a breeze, working with 8-channel 24-bit 96kHz AES audio via XLR (balanced) connections, and 16-channel embedded 24-bit 48kHz embedded SDI/HD-SDI audio. KONA 3 also features high-quality input sample-rate conversion on AES inputs, which eliminates the need for audio source synchronization.

Connectivity

Looking for unsurpassed cable connectivity? Well, look no further, because when you plug in KONA 3’s breakout cables, they automatically configure. For SDI video, the card features two HD/SD inputs and two outputs for Single or Dual Link, one connection for Genlock input and three for HD/SD analog video out. Also included is a 9-pin D-connector for RS-422 machine control. The SDI inputs and outputs use a separate cable with special mini-BNC connectors on one end and full-sized BNCs on the other for ease of connection and superior reliability.

The K3-Box for KONA 3 simplifies interfacing by offering a 19-inch, 1RU rack-mountable breakout box that attaches to the KONA 3 with just two cables. This option offers all the same inputs and outputs as the standard breakout cable, and can be easily rack-mounted or placed on top of a broadcast monitor or editing desk. Additional functionality includes simultaneous XLR and BNC AES output, 2-channel RCA analog audio monitoring, and looping BNC Genlock reference connectors. If you’re using a digital Betacam deck, HDCAM, DVCPRO HD, D5, D9 or even an HDCAM SR, you’ll have the proper connections.

KONA Desktop

Most users run multiple applications to create their video projects. So, in addition to Final Cut Pro support, the KONA Desktop feature allows broadcast design elements to be viewed with the proper aspect ratio and color depth on a broadcast monitor via the KONA card. KONA Desktop supports Adobe After Effects, Adobe Photoshop, Apple Motion, Apple Shake, Discreet Combustion and more.

KONA 3 Hardware Acceleration

Final Cut Pro users will love our DVCPROHD, HDV and Apple Dynamic RT Extreme hardware acceleration, developed in close cooperation with Apple and available exclusively on high-end KONA cards. KONA 3 hardware takes a portion of the codec processing load off the CPU, allowing more RealTime (RT) effects in Final Cut Pro when outputting. KONA 3 also has hardware support when capturing. This brings amazing RealTime HD production power to the desktop. With KONA 3, any source can be captured using the DVCPROHD codec — giving you online HD quality at remarkably low data rates, allowing the internal Mac Pro SATA storage to be used for HD capture, playback and RT effects. Of course, you’ll obtain still better performance and more RT when using a fast SCSI or Fibre array, but this feature allows HD to be used where only SD would have been considered because of budget or time constraints. KONA 3 even supports the DVCPROHD and HDV codecs with up- or downconversion — allowing projects to be downconverted to SD, or even upconverted for DVCPROHD capture.

How Does KONA Accelerate DVCPROHD, HDV & Apple's Dynamic RT?

Because KONA’s precision hardware does part of the work, the Mac Pro or G5 has more time available to process RT effects. This means more RT-effects power, and more RT streams. Most broadcast codecs, including DVCPROHD and HDV, use a two-step process. First, the video is scaled to a lower horizontal pixel count, and then the video is compressed. This is done because the slightly scaled video results in a favorable trade-off between resolution and codec efficiency. KONA 3’s hardware not only dramatically speeds up the scaling part of the job, but it’s also done with full 10-bit broadcast quality.

When using the Final Cut Pro HDV codec, the KONA 3 hardware acceleration allows instantaneous real-time playback for both monitoring and recording. Even KONA’s downconverter works in real-time with HDV, allowing SD monitoring, dubs or mastering. This KONA 3 functionality makes HDV a fully professional solution.The Panasonic DVCPROHD format takes advantage of KONA hardware as well. KONA’s precision hardware allows capture and playback of HD-SDI video to and from the DVCPROHD codec at a quality level virtually indistinguishable from native FireWire, while freeing up valuable RT processing power.

For Final Cut Pro 5’s Dynamic RT feature, KONA’s hardware is used to offload the video scaling as the “playback video quality” dynamically adjusts. This allows more playback power — and because KONA handles it seamlessly, the Dynamic RT you see on the Mac monitor is the same as that shown on your professional broadcast monitor.All of this adds up to the most reliable, feature-rich and highest-performance card available for OS X and Final Cut Pro. KONA 3 represents the next generation of technology.

The First Card for OS X & Final Cut Pro to Offer HD, SD Analog & Digital I/O

Not an entry-level card, KONA LHe offers a full ride to HD with no-compromise, 10-bit uncompressed video, 2-channel AES and 8-channel embedded audio, analog composite/component video I/O, 2-channel analog audio I/O, broadcast-quality hardware downconversion and TBC on analog inputs. KONA LHe bridges the analog and digital worlds by offering I/O for both. A lot of card for a low price, KONA LHe also features dual-monitor desktop viewing for editing ease. The KONA LHe comes standard with a breakout cable and also works with the optional KL-Box-LH for rackmounted I/O convenience.

Supporting native 10-bit resolution, KONA LHe provides optimum quality for SD and HD - the maximum allowed in SMPTE SDI standards. Using QuickTime format, KONA LHe captures directly to 10-bit files on disk, and also supports many legacy 8-bit formats for backward compatibility. KONA LHe also supports DVCPROHD and HDV, DV25, DV50, JPEG and more.In addition to perfection in video, KONA LHe offers all the audio support you'd ever want: native OS X multi-channel audio and 24-bit AES/EBU digital audio at 48kHz for digital production. For ease of use, KONA LHe also includes hardware sample-rate conversion on AES inputs - eliminating source synchronizing requirements. Because of it's unique HD/SD analog I/O, KONA LHe is perfect for not only uncompressed and Apple ProRes 422, but also HDV and other diverse workflows.

KONA LHe Hardware Acceleration

Final Cut Pro users will love DVCPROHD, HDV, and Apple RT Extreme hardware acceleration, developed in close cooperation with Apple and available exclusively on KONA LHe. KONA LHe hardware takes a portion of the codec processing load off the CPU, allowing more RealTime (RT) effects in Final Cut Pro when outputting. KONA LHe also has hardware support when capturing. This brings amazing RealTime HD production power to the desktop. With KONA LHe, any source can be captured using the DVCPROHD codec - giving you online HD quality at remarkably low data rates, allowing the internal Mac Pro or PowerMac SATA storage to be used for HD capture, playback and RT effects. Of course, you'll obtain still better performance and more RT when using a fast SCSI or Fibre array, but this feature allows HD to be used where only SD would have been considered because of budget or time constraints. KONA LHe even supports the DVCPROHD and HDV codecs with downconversion - allowing projects to be downconverted to SD.

How Does KONA LHe Accelerate DVCPROHD, HDV & Apple's Dynamic RT?

Because KONA's precision hardware does part of the work, the Mac Pro has more time available to process RT effects. This means more RT-effects power and more RT streams. Most broadcast codecs, including DVCPROHD and HDV, use a two-step process. The video is first scaled to a lower horizontal pixel count, and then the video is compressed. This is done because the slightly scaled video results in a favorable trade-off between resolution and codec efficiency. KONA LHe's hardware not only dramatically speeds up the scaling part of the job, but it's also done with full 10-bit broadcast quality. When using the Final Cut Pro HDV codec, KONA LHe's hardware acceleration allows instantaneous RT playback for both monitoring and recording. Even KONA's downconverter works in realtime with HDV, allowing SD monitoring, dubs or mastering. This KONA LHe functionality makes HDV a fully professional solution. The Panasonic DVCPROHD format takes advantage of KONA hardware as well. KONA's precision hardware allows capture and playback of HD-SDI video to and from the DVCPROHD codec at a quality level virtually indistinguishable from native FireWire, while freeing up valuable RT processing power. For Final Cut Pro's Dynamic RT feature, KONA's hardware is used to offload the video scaling as the "Playback Video Quality" dynamically adjusts. This allows more playback power - and because KONA handles it seamlessly, the Dynamic RT you see on the Mac monitor is the same as that shown on your professional broadcast monitor.

KONA LHe Supports Final Cut Multi-Cam Feature

Final Cut Pro 6 provides multi-cam playout - and KONA LHe supports it! With KONA hardware and a sufficient storage solution, you can handle up to 16 sources in realtime. Each stream of video is captured individually and then ganged together in Final Cut Pro for a multi-cam editing workflow. The KONA LHe hardware seamlessly plays the multi-cam clips out to professional broadcast monitors or decks, via SDI, HD-SDI or component video. Up to 16 sources can be viewed in realtime via the KONA (4-up, 6-up, 9-up, 16-up, etc.), or each individual source can be viewed as it is selected via Final Cut Pro.

The Best Solution for SD Capture & Playback - AJA Quality at an Affordable Price

AJA-quality standard definition video capture and playback isn't just for the big guys. The affordably priced KONA LSe is the perfect engine for a professional Final Cut Pro 6 editing system. AJA has made a significant investment in the development of exceptional KONA hardware, making KONA cards the preferred choice for performance and stability in the broadcast industry. Now, with KONA LSe, everyone can enjoy the rich features, rock-solid video/audio and factory support that exemplify AJA products. KONA LSe does away with the need to spend serious money on a nonlinear editing suite. This affordable card, when configured with a PCIe Apple Mac Pro or G5, RAID storage, computer display and video monitor - along with Final Cut Pro 6 - achieves the same editing quality as an expensive turnkey suite. The KONA LSe supports 10-bit resolution SMPTE SDI, using a QuickTime compatible format. KONA LSe also has great audio I/O support: balanced analog, AES and embedded SDI audio. KONA LSe includes hardware sample-rate conversion on AES inputs - eliminating source synchronizing requirements. And the optional KL-Box for KONA LSe provides all the standard features of the cable in an easy-to-use rackmount panel.